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Then Kŭt-o-yĭs´ spoke to all the living and said to them, "You who still draw a little breath try to move your heads in time to the song that I shall sing; and you who are still able to move stand up on your feet and dance. Take courage now; we are going to dance to the ghosts." In manner he is somewhat indolent, silent, perhaps lazy. But there is about him a subtle charm that endears him to all who know him. Perhaps it is his innate horror of offending the feelings of any one, be he great or small, and perhaps it is his inborn knowledge of humanity, and the power he possesses (with most other sensitive people) of being able to read the thoughts of those with whom he comes in contact, that enables him to avoid all such offence. Perhaps it is his honesty, and straightforwardness, and general, if inactive, kindliness of disposition. "But I shouldn't like any one to touch it except you," says Mr. Rodney, truthfully. "Even now, as your fingers press it, I feel relief.".
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Conrad
"Why?" says Mona. "I couldn't well call her any thing else until I know her." It is an old song she chooses, and simple as old, and sweet as simple. I almost forget the words now, but I know it runs in this wise: "Ah!" replied her father; "it must always be as he says"; and they spoke no more about it. Another day the son-in-law rose early in the morning and went over to the old man's lodge and kicked against the poles, calling to him, "Get up now and help me; I want you to go and stamp on the log-jam to drive out the buffalo." When the old man moved his feet on the jam and a buffalo ran out, the son-in-law was not ready for it, and it passed by him before he shot the arrow; so he only wounded it. It ran away, but at last it fell down and died..
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